Little Lost Nun: Video Interview

This conversation was such a joy! Watch me visit with Katie Reetzke from Park End Books, unpacking the stories within and around the story that became Little Lost Nun.

We touched on so many big ideas – the definition of real tragedy, the importance of representation in books for Orthodox children who don’t live in a majority Orthodox culture, the spirituality of children – so many things! I especially loved hearing about the little girl who keep’s her home-made nun paper doll under her pillow. All the ways that children cherish their imaginative memories and bring them into life are precious.

I hope you’ll enjoy watching this interview as much as we enjoyed making it. You can find a copy of Little Lost Nun wherever books are sold.

Make your own #littlelostnun and share pictures!

Today, I joyfully announce the #SummeroftheLittleLostNun! Together with Park End Books, I’m inviting children (and grown ups) to draw their own little nun and share pictures of where she goes. Does she go to church with you? On vacation? Is she playing near the creek (don’t fall in, little nun!)? Maybe yours will enjoy the garden. Mine does!

#littlelostnun in the flower garden!

Making Your #littlelostnun

You are very welcome to draw your own nun, paint one on a clothespin, or sew one out of felt or other fabric. Variety is one of the great beauties of creation, and I hope to see variety in these little friends. If you need an outline to get you started, Jack Naasko (an artistic friend) kindly created this downloadable template. Color it in, cut it out, and let the adventure begin!

#littlelostnun goes traveling

Some friends of mine were traveling recently, and they created little nuns on the road! Here they are, the first people (and nuns!) to participate in #summerofthelittlelostnun !

Just looking at these pictures makes me happy!

How to participate

Everyone is welcome to join in! Here’s how you do it.

1 – Make your little nun. Draw your own or use the template.

2 – Take her on adventures. Take pictures of her wherever she goes!

3 – Share your pictures, and use the hashtag #summerofthelittlelostnun so that everyone participating can enjoy them. You are also welcome to send them to me. I will be publishing as many as I can on this blog! Use the contact form to get in touch or find me on Facebook.

4 – Another reason to send in your pictures? Park End Books will be offering a 10% OFF coupon for everyone who participates.

I can’t wait to see your pictures! May the #littlelostnun find herself in many good places, with good friends!

#littlelostnun #summerofthelittlelostnun #littlenuntravels

Flying!

REMINDER: Little Lost Nun is available for pre-order from Park End Books, separately or together with the limited edition Little Lost Nun Peg Doll! This book releases in August 2021!

4 Publishers Accepting Submissions for Orthodox Children’s Books

Do you write Orthodox Christian books for children? Are you a new writer wondering where to submit your manuscript? Are you a previously published writer who needs another outlet for her work?

This post is for you! It’s the information I wished for when I first approached the Orthodox publishing world, and several times since.

As the market for high-quality Orthodox children’s books expands, so do the number of publishing options for writers of these books. Publishers watch what sells to understand what needs are being met, and what needs are being expressed but are not yet met. A book purchase is a vote for the book being purchased and, indirectly, for other books of the same type. This is as true in the Orthodox world as it is in mainstream publishing. It’s encouraging to observe the upward spiral of demand for Orthodox children’s books and publication to meet that demand.

WHY DOES THIS LIST MATTER?

My childhood and my human identity are firmly rooted in the stories I read and loved. Those memories begin before memory. I can’t remember a time without books, without someone reading to me, and then without my own endless adventures through the printed word. I believe faith and imagination are strongly bound, so I want the number of good books – faithful, beautiful, funny, poignant, and beloved – to grow and grow.

In addition, as a writer, I want the blessing of multiple options when it’s time to submit a manuscript. Writers write. We grow, we change, and we write some more. Publishers release a limited number of books each year, and competition for those spots is fierce. The more publishers are accepting submissions, the better chance we have of being published.

BEFORE YOU SUBMIT YOUR BOOK PROPOSAL…

All publishers are different, but in more than a decade of writing books for publication, I’ve learned that some things are consistently true, no matter which publisher you are considering.

1 – Read the submission guidelines. No, really. Read every single word. The company wrote those guidelines to ensure submissions will have the best possible chance of matching their requirements. Do you want the best possible chance? That means knowing EXACTLY what the publisher wants and doesn’t want.

2 – Follow the submission guidelines. Having read the directions, your next step is to follow them. In most instances, the first person who sees your submission when it arrives at the publishing house is an editor. Editors are detail-oriented, educated, word-smithing, book-loving, and generally strong-minded people. They work hard and will bless you for making things easier for them by following the guidelines. The guidelines can also help you discern whether your book is a good fit for the publisher, and whether the publisher is a good fit for you.

3 – Explore the publisher’s website BEFORE deciding to submit. Visit their webstore. Browse the entire collection of books for children, including those they choose to sell that were released by other publishers but focusing especially on their own line up. Be a good observer. Watch for trends. Compare your proposed book with what you are seeing. Does it fit in? Do they already have four other books on the same topic? If you don’t see anything that looks like your book, is that because you would be the first to fill a real need, or because they wouldn’t see a need for your book? Take your time with these questions. You might need the answers as you craft your proposal.

4 – Always have a back-up plan. This piece of excellent advice comes to you from my friend Phoebe at Being in Community. When you submit a manuscript to a publisher, you should be thinking about what you’ll do if the publisher says Yes! But you should also have a plan for that book’s next step if the publisher says No. I’m working on another post about rejection letters, so that’s all I’m going to say about this here.

THE LIST

Here it is! Note – you do not need to be represented by an agent to submit to any of these publishers. The information given below is drawn from personal experience and from contacting the publishers directly. In each case, you’ll find the publisher’s website, a link to their submission guidelines, and some notes on what the publisher is looking for, together with anything I’m able to add from my own experience publishing with them.

Ancient Faith Publishing

This is the publisher I know most about – both as an author and as an employee! I’ve seen the whole publishing process at Ancient Faith from both perspectives. I’ve had manuscripts rejected and accepted by them, and I’ll always be thankful for what I’ve learned from their editors.

You can find Ancient Faith’s submission guidelines HERE. The guidelines include descriptions of what Ancient Faith is looking for and specific directions for submitting each type of book proposal. You can find the children’s section of the Ancient Faith Store HERE. Ancient Faith accepts and reviews submissions on an ongoing basis; there is no submission deadline.

Jane G. Meyer, the children’s book project manager, explains, “We want those projects that have so much Orthodox Christian flavor that other secular or religious publishers probably wouldn’t be interested in them. We also want submissions to come in that have been worked and reworked–that are free of obvious mistakes, and have been edited and revised for style. The stronger a piece is on the first read, the more likely it will move forward in the process.” She adds, “The best way to gauge what books we want is to look at the books we’re currently publishing. Our catalog is a good indicator.” 

SVS Press

St. Vladimir’s Seminary Press published their first board book this year – Saint Ia Rides a Leaf, by Melinda Johnson (yes, me!), illustrated by Kristina Tartara – and Kristi and I are already contracted for a second board book with them. SVS is returning from a hiatus in children’s publishing. You’ve probably seen some of their older children’s books, many of which are still in print, but this is a season of change and development for them. It’s a fun time to jump into the line up.

You can find the SVS Press submission guidelines HERE. You can see the children’s section of the SVS Press Bookstore HERE. SVS Press reviews submissions at quarterly acquisitions meetings. The dates of the meetings and the deadline for submissions for each meeting are listed with their guidelines at the link above.

Sarah Werner, chief marketing officer for the press, offers this perspective: “SVS Press has long been seen as an ‘academic press’ and we are proud to carry that title into the future. Though, our renewed vision is to not just be an academic press for scholars alone. Our goal is to provide scholarly theological texts, quality translations of patristic writers, as well as quality theological material for ALL ages and walks of life. Our children need quality theological works just as much as adults! We are always looking for Orthodox writers and illustrators who are able to create and tell stories of our faith that are appropriate for little eyes and little ears. We are looking for material that accurately teaches children about our faith and inspires lifelong engagement with and love for God and His Church.”

Park End Books

Park End Books is a newcomer in the Orthodox publishing world. It’s a well-organized effort and already bringing books to market. I encourage you to visit the website to learn more about the company. Its advent is a positive sign of the market’s growth and a welcome new option for writers in search of a publisher. I recently received a contract from Park End for a children’s chapter book that will release in late summer of this year, and to date, I have been thrilled with the process. Summer Kinard, the founder and senior editor, was an author before she was a publisher, and I’ve noticed many aspects of the Park End experience that benefit from her dual perspective.

You can find the Park End submission guidelines HERE. Note that Park End accepts submissions at specific times, so be sure to watch the website for updates. You can see this new company’s growing webstore here.

Asked about Park End’s plans for children’s books, Summer reports, “We are planning three board books for the coming year as well as [my book, mentioned above]. For board books, illustrations are a big deal. We’re commissioning one, and two are from an author-illustrator team with a cohesive style. Our 5-year plan includes getting our books into mainstream bookstores, so we favor books that will reach beyond our target audience of Orthodox readers by tapping a broader cultural need. Our main goals are accessibility and beauty, and we love diverse voices and stories. We’re happy to accept Byzantine Catholic, Western Rite Orthodox, and Coptic Orthodox manuscripts, too, since our niche is meant to bring our whole corner of the church into the public awareness by getting into Barnes and Noble and other bookstores.”

Paraclete Press

Paraclete Press, in their own words, publishes books that present “a full expression of Christian belief and practice—Catholic, evangelical, mainline Protestant, Orthodox…” This means that Paraclete books may reach different readers than some books released by other publishers on this list, and that the staff you work with will be from a variety of faith backgrounds. Paraclete Press published my first board book, Piggy in Heaven, and I found them to be friendly and professional. The finished book was sturdy and adorable.

You can find Paraclete’s submission guidelines HERE. You can see the children’s section of their store HERE.

Publisher Jon Sweeney notes, “Children’s books are essential to our publishing, even though we only publish two or three per year. And we focus mostly on saints, holidays, and seasons of the church year.”

DID I MISS ANY?

If you know of any publisher of Orthodox children’s books who is currently accepting submissions but does not appear on this list, please post that information in the comments. We all want to hear about it!

God willing, this list will be twice as long five years or a decade from now. In the meantime, I wish you the blessing of time and strength to write, patience to persist, and the pure delight of seeing your published books in the hands of happy little readers.

Signing a contract for my Little Lost Nun

This morning, I signed a contract with Park End Books for a story called Little Lost Nun. I’m very happy!

Little Lost Nun began as a short story, nearly a decade ago. I set myself the task of writing about a conflict in which there is no antagonist. I remembered a professor of Romantic Literature telling our class at university that “the bad guy defeats the good guy” is not tragedy, not in its purest form. He said real tragedy is a conflict between two people who are good but still in conflict because of something inherent in their nature or situation. The “good guy against the good guy” is far more tragic. This perspective has remained with me, and sometimes haunted me, ever since.

I don’t mean to say Little Lost Nun is a tragedy. It is not! But it begins in a conflict between two protagonists. The antagonist has very little to do with it.

That was the original short story, and I shared it at a women’s retreat I lead at a parish on Tacoma, WA. We spent the day talking about my professor’s definition of tragedy and exploring the larger question of whether tragedy is possible to a Christian mindset. For example, how does a belief in the resurrection impact our ideas about what is tragic? It was a fascinating day.

The little nun stayed with me after the short story was written. I revised her story once or twice, and it began to seem that it was more than a short story. It wasn’t a picture book, but there wasn’t much scope for it as anything else unless it was longer. I began to wonder what the story would be if it were longer.

First, I tried it on as a part of the Sam and Saucer series.

No, it wasn’t part of the Sam and Saucer series.

Hmmm….

The little nun sat on my desk, in my files, at the edge of my imagination. Months passed.

One day, I wrote her story without attaching it to any other story. I freed it from Sam and Saucer and the idea of a picture book. That went much better.

But it’s still not a conventional story. It’s a story for children, but also adults. It’s sad but also happy. It needed a good home, and no home presented itself to me for a time.

I wrote some other books and finished them. They got contracts, and I felt that my desk was cleared and I could move on to the next adventure.

But the little nun was still there.

Sometimes, the answer to things pops up right in front of you.

Not long ago, Summer Kinard, one of my co-authors for Seven Holy Women, launched a publishing company called Park End Books. I was happy about that. We need more publishers who are friendly to Christian books from an Orthodox perspective. So much of Christian publishing in the United States is heavily Protestant, and many secular publishers aren’t open to books with even subtle Christian themes.

Park End Books began releasing titles soon after launch. The covers drew me in, and I was impressed with the books’ creativity and innovation.

Just as I was deciding that Little Lost Nun would likely never find a home, I happened to read the Manuscript Wish List on the Park End website. It struck me immediately that this might be where my little lost nun belonged.

I’m grateful to say that Park End Books agreed with me – hence signing the contract this morning. I’m looking forward to this project very much – to the editing, the polishing, the enchantment of watching art and design added to the story, and that moment that never grows old when I get to hold this story in my hands as a published book.

In the meantime, I drew a little nun of my own and took her out in the sunshine for pictures to celebrate the occasion.

May God bless the work of our hands and hearts and words.

#littlelostnun

Painting Angels – A book in context

I just experienced a special moment in my writing journey. It’s just me and my office, my computer, books, papers, assorted pencils. But on my screen is an incredible review of my new book, Painting Angels.

The review is from a woman who blogs at Relished Living. Her name is Erica, and she felt Painting Angels raises and answers questions that are all around us in this moment, the historical moment in which the book is being published. Her words blew me away. I have nothing else to say except that I hope you will read what she wrote.

You can find the review on Relished Living. Here’s it is.

Painting Angels: The Terrible Inconvenience of Love

Painting Angels has arrived in the warehouse and in the publisher’s store. It’s official, announced release date is this coming Tuesday, July 21. But friends, you are more than welcome to get your copy any minute now! THE BOOK IS HERE!

Painting Angels: Cover and Co-Author!

Painting Angels, Book 3 in the #SamandSaucer trilogy, just went to press! It’s due to release on July 21, and I want to share the cover, catalog copy, and adorable new co-author for this book as we wait to see the book “in person.”

The Cover

The Catalog Copy

What happens when you can’t get away from the person who drives you craziest? Sam and Macrina are about to find out. Stuck working together to help the nuns, Sam and Macrina come up with a thousand reasons to disagree. Sam is too rude. Macrina is too bossy. Summer at the monastery will be miserable if they can’t find some common ground. With the help of three friendly nuns, a runaway bunny, and Saucer the trusty corgi, Macrina and Sam discover a big secret that helps put them on the road toward peace.

The Co-Author

I am thrilled to announce that I have a co-author for Painting Angels! Thirteen-year-old Veronica Naasko kindly contributed an account of life as a “farm kid” that is going into the print, ebook, and audiobook editions of Painting Angels! The animal farm at the book’s imaginary monastery is central to the story in Book 3, and when we found there was space available at the end of the book, we asked Veronica to write for us. I recorded my part of the Audible edition this weekend, and Veronica is submitting hers this afternoon. Her part of this book is awesome. It has turkeys. It has wolves. It even has an unusual bishop. Just wait till you read it!! Here is a picture of Veronica recording for Audible.

Painting Angels: Coming this summer!

Today, I enjoyed being a writer for a few minutes during a day of otherwise un-writerly work. The publisher sent back the copyedited version of Painting Angels (Book 3 in the Sam and Saucer series). The book is going to press in just a few weeks. I’ve seen some illustrations and sent back feedback, and I’ve worked on all the text edits sent to me. Now I just need to read this copy-edited manuscript, and it will be off to the proofreader – almost finished!

Today I also received the “promo copy” for the book. This is the description that shows up in the publisher’s catalog, on their website, on Amazon, and everywhere the book is sold (in English). When the original manuscript was submitted, I completed an author questionnaire as I do each time one of my books is published. The questionnaire asked me to provide text that could be used to create this promo copy. The editor worked with it, and I’m happy with the final result. Here it is!

What happens when you can’t get away from the person who drives you craziest? Sam and Macrina are about to find out. Stuck working together to help the nuns, Sam and Macrina come up with a thousand reasons to disagree. Sam is too rude. Macrina is too bossy. Summer at the monastery will be miserable if they can’t find some common ground. With the help of three friendly nuns, a runaway bunny, and Saucer the trusty corgi, Macrina and Sam discover a big secret that helps put them on the road toward peace.

Reading this, I realized how well this book fits the time in which it will be released. God willing, we’ll be out and about before the summer, but who knows? Even if we are, our memories of being cooped up, struggling together, will be fresh! COVID-19 never entered my head during the writing process (in fact, the last major revision was completed before quarantine), but today I see major parallels!

Writing and imagination, minds and thoughts, and the whole spiritual atmosphere swirling around us fascinate me. There is no knowing the complex of our connections with each other, or with the unseen influences around us and within us. Perhaps the only key to the mystery is this:

And we know that all things work together for good to those who love God, to those who are the called according to His purpose.

Romans 8:28

God help us all, according to His purpose.

Corgi Seven Leaf: Book Projects Update

This is a happy year in my writing life. I have three books coming out in three genres, from two publishers. I love that!

Corgi

The first book out is actually a third book – it’s the third book in the #SamandSaucer trilogy. The first two, Shepherding Sam and The Barn and the Book, introduced us to Sam, his corgi friend Saucer, and his friends and adventures at the Monastery of St. Gerasim. Sam struggles hard. Sometimes he’s angry, sometimes he’s happy, sometimes he wants to be left. alone. please. Saucer, corgi that he is, loves Sam and follows Sam around and barks at him and pats his foot and even, when occasion demands, takes a good mouthful of Sam’s pant leg and hauls him along where he needs to go.

Corgi standing under a blooming cherry tree
Photo by Alvan Nee on Unsplash

I just handed in my second round of revisions for this third book, and most of what’s left now will be copy-edits and minor adjustments. This book happened in layers, more than the last one did. I originally thought there wasn’t a third book, but with some prodding from my editor, I discovered there was indeed a third book. Like all my books, it fell out of the sky and hit me on the head. This is perhaps not the most dignified writing process, but it works for me! I wrote the story all in one gasp, so to speak, and then set it aside because there was time before the release date. The editor read through her pile and got to my story, and we started in on her first round of big-picture suggestions. The book gained several chapters, the characters gained depth, and it went back to her again for another round. She pointed out a few other adjustments, and that’s what I sent back to her last Sunday night.

I liked working on the characters this time around. They’re two years older than they were in the first book, and I did a little research to help me build out Sam. At no point in the books do we have a name for Sam’s particular kind of struggle. Many people have suggested that he’s on the autism spectrum, and my researched honored that suggestion. However, life has taught me that people with labels and people without labels have more in common than they think. This third book puts Sam together with Macrina, his arch-nemesis. Macrina would be the first to tell you that there is NOTHING the matter with her. But as the story developed, I realized, along with one of their mutual friends, that Macrina and Sam have more in common than either of them would like to admit. Perhaps we all do. For that reason, Sam still does not have a label. Macrina doesn’t either. There’s something in each of their struggles that most of us can relate to.

This book, like the first two in the series, will have a cover and three interior illustrations by the friendly and talented Clare Freeman! And that means I’ve also sent in a detailed list of information for the illustrations – listing scenes I hope will be chosen for pictures, and details of setting, clothing, facial expression, etc, Clare will need to create those pictures.

Seven

Seven Holy Women is a story-telling devotional I’m writing with a group of friends. All told, there are eight of us involved, but our math still works because the book focuses on seven women saints. It’s unique in my experience, for two reasons. First, I’ve never written a book with a group of friends before! Second, I’ve never run across a book like this one. Perhaps one exists somewhere, but it hasn’t popped up yet. Our book is unique because it uses short stories written in the second person to help our readers grapple with their own connections to these saints. “You are Morwenna,” the book begins. YOU. Your brain is wired to read those words and drop your imagination into the story, gazing out at the events as if they were your experiences, in your life. You aren’t Morwenna, of course. You are several centuries too late for that, but when I started writing the four short stories that were the root of this book, I loved the mental and spiritual exercise of trying to stand in these holy shoes, for a few moments only.

I needed help to make this book all that it should be, and that’s where my friends come in. Each of them took one of the seven saints, befriended her, and wrote about her. Each section includes personal surveys and a journaling opportunity, and as of this month, all seven sections are in the manuscript. The only remaining task is for me to write the final chapter, and that’s what I’m pondering now. I’ll wander back through the sections written by my friends and then I’ll have to make up my mind just what that final chapter needs to contribute to finish the book neatly and completely.

Leaf

St. Ia Rides a Leaf, the board book just contracted with SVS Press, is now in the storyboard stage! Kristina Tartara, the illustrator, has sent me the first illustration of Ia, and we’re talking over the color of her dress. This is a story set by the Irish Sea, so nearly every illustration will include shades of blue and green. Ia is a red-head, good Irish girl that she is, and we’ve tried four dress colors, drawn from our research on the dyes available to her in her place and time, and social class. Ia was a princess, so her clothes would be more colorful than those of neighboring peasants.

Meanwhile, Kristina has the final text, and this week she’s breaking it into pages and sketching the rough outlines of the scenes that will appear on each one.

I truly love watching the illustration process. I’d enjoy it for anyone’s book, and to watch my own story appear in pictures is one of my favorite parts of the writing life. It will never grow old! It’s especially delightful when I get to work so closely with the illustrator. Kristina communicates with me often and kindly sends me sketches and snatches at every stage. It makes me happy.

BLOG

And of course, my other writing project is this blog! I am so glad I came back to blogging. I’m finding all kinds of interesting people here in the blogosphere. I enjoy your words and pictures, and the ways they stretch my mind. Thank you for being here!